Concept, Technical Direction, Visual Design, Sound Design: Daito Manabe (Rhizomatiks)
Concept, Technical Direction, Hardware Engineering: Motoi Ishibashi (Rhizomatiks)
Visual Design, Programming: Satoshi Horii (Rhizomatiks)
Choreography: MIKIKO(ELEVENPLAY)
Dancers:
SAYA, KAORI, EMMY, YU, MARU (ELEVENPLAY)
Projection System/AR System Engineering: Yuya Hanai (Rhizomatiks)
Video Engeneering: Muryo Homma(Rhizomatiks)
Hardware Engineering, Craft: Toshitaka Mochizuki, Saki Ishikawa, Kyohei Mouri (Rhizomatiks)
Motion Capture: Momoko Nishimotoi (Rhizomatiks), Hajime Kotani, Miyako Toge, Yoshitaka Homma (Crescent, inc.)
Omni Wheel Motion Editing: Amira Iio, Hiroyuki Mukai (1inc)
Sound production support: KEKE
Technical Cooperation: Panasonic Corporation
Produce, Project Management: Takao Inoue (Rhizomatiks)
Production Management: Kahori Takemura, Tomoyo Obata, Naoki Ishizuka (Rhizomatiks)
This work was premiered at the exhibition ""rhizomatiks_multiplex"" and it was realized with the support of
Organized by: Tokyo Metropolitan Foundation for History and Culture, Museum of Contemporary Art Tokyo
Supported by: The Agency for Cultural Affairs Government of Japan in the fiscal 2020
Sponsored by: Bloomberg L.P. / mixi, Inc.
Concept, Technical Direction, Visual Design, Sound Design : Daito Manabe (Rhizomatiks)
Concept, Technical Direction, Hardware Engineering : Motoi Ishibashi (Rhizomatiks)
Hardware Engineering, Craft:Toshitaka Mochizuki, Saki Ishikawa, Kyohei Mouri (Rhizomatiks)
Produce, Project Management : Takao Inoue (Rhizomatiks)
Production Management : Kahori Takemura, Tomoyo Obata, Naoki Ishizuka (Rhizomatiks)
This work was premiered at the exhibition ""rhizomatiks_multiplex"" and it was realized with the support of
Organized by : Tokyo Metropolitan Foundation for History and Culture, Museum of Contemporary Art Tokyo
Supported by : The Agency for Cultural Affairs Government of Japan in the fiscal 2020
Sponsored by : Bloomberg L.P. / mixi, Inc.
Visitors were afforded a curiously palpable experience of dancers who otherwise existed only as video and motion data.
1. Mobile robots
2. Multilayered exhibition
This look behind the curtain complemented the completed performance shown in the preceding room and gave viewers a multifaceted understanding of the installation.